Peter Muraay Djeripi Mulcahy
Sold Paintings
{type} painting
{paintingName}
{detailStory}| paintingName | detailStory | smallImage | bigImage | price |
| The phoenix culture | Of the awaketime series depicting a culture of adaption and recreation. Painting |
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2400 |
| Gaygar the Mother Duck | The dreaming story is of Gaygar the mother duck, her abduction and escape from the water rat. It tells of a mothers unconditional love for her children and there forced and speedy exodus from their country. Acrylic on Linen |
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2000 |
| Masacre | 1838, Waterloo Creek, notoriously remembered as one of the most brutal and relentless slaughters and innocent first Australians. “When was the order given to stop firing, Sergent?” This question was then made a second time, finally it was answered. “If the order was given at all, it was not heard and the firing stopped when all ammunition was exhausted.” Painting |
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2000 |
| Ancestors | This vision is two spirit ancestors watching over me. They circle me, keeping me true to what I know and what is expected of me. They came as eagles to represent strength and invoke a feeling of awe. Their effortless flight teaches us of life and how when we allow ourselves to be one with spirit, the flow of life is continual and without effort. My ancestors allow me to know that I am on tract and not alone. Someone to look up to and live up to. We are never alone and that is our strength. Painting |
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2000 |
| Mainly Spirit | We must continue to remind ourselves that we are spirit first, that we are a part of the all. Our old people knew it and lived it. They really understood life as a continuation, there’s no gaps in time and there’s no gaps in creation. There’s just the one. In both space and time, we share the same moment and place with all before us.We do well to know they are with us, so we remember our respect for them, the land and each other. The physical world is simply a shadow covering our spirit..... Painting |
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1200 |