Peter Muraay Djeripi Mulcahy
Paintings for sale
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{bigImage}| item | paintingName | detailStory | smallImage | bigImage | price | type |
| Painting | First impact | An historical work showing us a time and place but also an event. Painting |
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3500 | Symbolic | |
| Painting | Ties Knots and Connections | An indigenous knotting painting. WIth neither beginning or end, each part fulfilling its role, while in the service of the whole Painting |
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3200 | Indigenous knotting | |
| Painting | Burralga | A dreamtime inspired painting given to Peter with respect by Aunty June Barker. This painting tells us of the beautiful girl who defied traditional law to dance and the events that ensued. This was in the time of the dreaming when magic was common place in the moulding of creation. |
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3000 | Dreamtime | |
| Painting | So many heads so few tails | This painting is part of Peters historical works, it is emotional and incredibly powerful. This work deals with specific incidences that occurred in the lands of the Gamilaroi, during the mid to late 1800's. As Australians as one new people we cannot look to choose the pages that fill our historical mind. Painting |
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3000 | Historical | |
| Painting | Wayamba the Turtle | A dreaming story given by Auntie June Barker. Painting |
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2800 | Dreamtime | |
| Painting | Layers | This represents our cultural depth and complexity.Spirit merging as one, with the mental and the physical. Painting |
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2450 | Symbolic | |
| Painting | Invasion | This map like painting is a historical piece and creates two dimensional vision of our land at the moment of impact. Explanations of this land it's people and the way they connected and interrelated with one another and their surroundings. This painting shows a moment in 100 millennia would suddenly change everything before it. Painting |
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2200 | Historical | |
| Painting | White bird black land | The story of belonging, a painting of roles and responsibilities, and a work of respect. A reflection on the external and an acknowledgement of what lies within. Painting |
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2200 | Waketime | |
| Painting | The Returning | This painting from Peters wake time series takes us to the cold face of modern and ancient Australia. It is a journey from what we had to where we find ourselves today. It is a story that whispers the hope, with great courage we can all find our return. Painting |
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2000 | Waketime | |
| Painting | The black and the green | This painting simply reflects my Aboriginal and Irish connections. This two distinctive colours, the black and the green represents the continuation of the cycle of life. Death as we know it simply gives rise to new life. In actuality there is no start or finish, just the continual oneness of the infinite. Painting |
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2000 | Waketime |










