Peter Muraay Djeripi Mulcahy
Latest works
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| That which binds us | The space between us, is as equally important as the space we occupy. This space is what binds us to the all. Painting |
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2900 | Symbolic | |
| Stepping Stones | We must remember, all that was, still exists simply awaiting a level or understanding worthy of its return. Painting
Acrylic on Linen |
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1800 | Symbolic | |
| Layers | This represents our cultural depth and complexity.Spirit merging as one, with the mental and the physical. Painting |
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2450 | Symbolic | |
| First impact | An historical work showing us a time and place but also an event. Painting |
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3500 | Symbolic | |
| Fingerprints | Fingerprints use traditional imagery in explaining that all of creation carries the mark of Baayama (The Creator). Painting |
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2000 | Symbolic | |
| Each part of a whole | A fine detailed painting with incredible relevance for today. This work is another in Peters own indigenous knotting series. This artwork tells of the story of the core beliefs in “Indigenous Australia”. Why respect was at the heart of every thought and decision What Baayama has entrusted to you I have no right to disrupt, disturb or disrespect. Painting |
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3200 | Indigenous knotting | |
| The Knowing | With sensitivity comes greater understanding, from greater understanding comes finer clarity. Only with a timeless patience, a connective sensitivity and a deeper willingness to understand and see the relevance of all creation come the knowing. This painting shows a people who were connected to their mother while in the embrace of their father. Painting |
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3000 | Indigenous knotting | |
| Ancient Strengths | This work is one in a series of Peters own unique indigenous knotting creations. This painting walks us through a chain of historical events, visiting the dreamtime of both the Celts and Aboriginal Australia, and onto 15th century Ireland and 17th century Australia Painting |
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4160 | Indigenous knotting | |
| White bird black land | The story of belonging, a painting of roles and responsibilities, and a work of respect. A reflection on the external and an acknowledgement of what lies within. Painting |
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2200 | Waketime | |
| The phoenix culture | Of the awaketime series depicting a culture of adaption and recreation. Painting |
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2400 | Waketime |